Students will understand the struggle to make an end to slavery a goal of the Civil War. The assault on Fort Wagner in which the Massachusetts 54th lost hundreds of men was “a turning point in recognition of blacks’ capacity to serve in the army”. The fact that black men would take up arms and fight and die on the Union side was a major step in changing Northern attitudes toward slavery and the purpose of the war. history, the effort by abolitionists to make the Civil War into a war to end slavery, rather than just war to preserve the Union. The film addresses a significant episode in U.S.
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FICTION (SOAPS, DRAMAS, AND REALITY/SURVIVAL SHOW)Īfter an extensive review of Colonel Shaw’s letters, TWM estimates that the movie is 90% historically accurate.FILM ADAPTATIONS OF NOVELS, SHORT STORIES, OR PLAYS.TALKING AND PLAYING WITH MOVIES: AGES 3-8.Gartner and John Wright, the editor, cut together handily on-court action sequences that make these fine actors look like championship-caliber basketball players). Kerr, as the Miners' fearsome big man, David Lattin, and Al Shearer as his timid roommate and backup, Nevil Shed, have some strong emotional scenes, as does Demaine Radcliffe as Willie Cager, whose heart ailment limits his playing time. Derek Luke ("Antwone Fisher") is the proud and charismatic point guard Bobby Joe Hill, and his performance, like his character's approach to basketball, is both stylish and unselfish. "Glory Road" does not spend much time developing its characters, but it does tell its story from the team's point of view as well as that of the coach. In recent years, he has portrayed Pope John Paul II, Howard Cosell and Franklin Delano Roosevelt.
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As Rupp, Jon Voight presents the latest in his series of brilliantly idiosyncratic, latex-assisted impersonations of real historical figures. Players are booed, cursed at and showered with garbage when they take the court one is beaten up in a restaurant men's room their motel rooms are trashed and sprayed with racist graffiti.įor his part, Haskins receives hate mail, and is treated by Rupp - a great coach but hardly a progressive on racial matters - with icy disdain. As the Miners start winning, hostility grows, and their success opens an ugly seam of ignorance and hatred. Announcers sneer, opponents refuse post-game handshakes, and alumni boosters grumble. In the film, Haskins's squad is greeted first with skepticism and condescension. An unwritten rule invoked in the movie held that a coach could play one black player at home, two on the road and three if his team was losing.
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Nearly 20 years after Jackie Robinson broke professional baseball's color line, college basketball was still skittish about accepting black athletes.
championship game, in which Don Haskins, coach of the Miners of Texas Western (now known as the University of Texas at El Paso), sent five black players onto the floor against Adolph Rupp's all-white University of Kentucky team.
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The annals of postwar America are full of such moments, but few of them are as astonishing and consequential as the 1966 N.C.A.A. Bruckheimer also produced (and which starred Denzel Washington as the coach), "Glory Road" finds its true story at a point where sports history intersects with the struggle for racial equality. "Glory Road" is satisfying less for its virtuosity than for its sincerity, and also because it will acquaint audiences with a remarkable episode that had ramifications far beyond the basketball court. Movies like this are rarely great, but when executed properly, they're rarely bad, either. Assemble a group of appealing young actors for the team, find a leading man with lungs strong enough to sustain many scenes of barking, bellowing and bloviation, and a pretty, patient actress for the thankless role of coach's wife (Emily Deschanel, in this case), and you're all set. The idea is to take a bit of sports history and prune and embellish it into a three-act screenplay (credited here to Christopher Cleveland and Bettina Gilois) that culminates in the Big Game. This is not a genre that demands or rewards novelty. The coach, played with requisite intensity by Josh Lucas, harangues his players on the importance of "fundamental, disciplined, defensive basketball." It is easy to imagine that the film's director, James Gartner, heard similar lectures from the producer, Jerry Bruckheimer. You could complain that "Glory Road," this season's obligatory inspirational coach-centered sports movie, follows a familiar formula, but that would be like complaining that a basketball is round.
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